10:54am
Still lifes, expansive landscapes, the Crucifixion, portraits and nudes are common subjects to find in the great gilt frames of any major museum. But even such loved subjects can become somehow overfamiliar – a complaint impossible to level against the work of the renowned colourist Craigie Aitchison. His paintings are simplified, frank and immensely refreshing. Currently on show at the Timothy Taylor Gallery (until 28 August) – the artist’s third show with the gallery – are 27 of Aitchison’s works, including several new pieces.
The gallery’s presentation of Aitchison’s work complements his clean, colourful and quiet style. At the...
Continue reading...
ShareThis |
Permalink |
Comment
12:44pm
Just in case you’ve been quarantined with swine flu or distracted by something trivial like the 40th anniversary of Apollo 11, I am here to tell you that Antony Gormley’s long-awaited contribution to the empty Fourth Plinth has finally arrived in London’s Trafalgar Square. With One & Other, Britain’s Greatest Living Sculptor has invited the Great British People to occupy a space ‘normally reserved for statues of Kings and Generals’, becoming ‘an image of themselves, and a representation of the whole of humanity’.
Every hour for 100 days without a break, a different person is making the pedestal their own....
Continue reading...
ShareThis |
Permalink |
Comment
4:04pm
1) It emerged this week that three libraries housed at the Courtauld Insititute – the Witt, the Conway and the Photographic Survey – are under threat after the staff who run them were served redundancy notices. The Witt contains around 2 million photographs of work by 70,000 artists from 1200 onwards. The Photographic Survey, begun under the helm of Anthony Blunt, contains a record of 600 private collections in England and Wales. The Conway comprises over a million images of sculpture, ivories, seals and stained glass.
2) The Dia Art Foundation in New York has voiced concern that the latest...
Continue reading...
ShareThis |
Permalink |
Comment
2:25pm
‘Hell is other people’. Tate Britain’s retrospective of Richard Long’s land art, ‘Heaven and Earth’, gave me cause to agree with Jean-Paul Satre’s sentiment. The artist shows a heavenly earth found through solitary walks. The exhibition includes photographs, maps and texts from Long’s travels in seemingly uninhabited and timeless landscapes; rock sculptures reminiscent of dry stone walls and entropic yet geometric mud paintings inspired by his epic walks. It feels blissful escapism.
The Turner Prize-winning land artist from Bristol has a refreshing and enviably humble outlook on existence. He enjoys ‘the simple pleasures of well-being, independence, opportunism, eating, dreaming, happenstance...
Continue reading...
ShareThis |
Permalink |
Comment
4:51pm
To rationalise the irrational and materialise the immaterial nature of the creative brain would be a task only attempted by the brave or the batty. But that is just what the exhibition ‘Walking in My Mind’ at London’s Hayward Gallery attempts to do. Walking around the installations that depict the artists’ creative mindscapes one is enticed, in an attempt to relate to the works, to either pamper or panic oneself with self-analysis or indulge the artist’s invitation to be psychologically dissected. The exhibition is made up of 10 self-portraits that immerse the viewer in a symbolic medley of sound, video...
Continue reading...
ShareThis |
Permalink |
Comment
Now in its 30th year, the London Park Lane Arms Fair returns with its annual array of fine arms and armoury. Elsewhere in the capital, impressive surveys of Freud, Hirst and mid-century British art can be found.
George Gilbert Scott described the dome as ‘the noblest of all forms’, and it appears as a powerful symbol in secular and religious architecture throughout history. On the island of Malta, however, the craze for dome-building reached astonishing heights.
Previous
